About the Author
Casey FitzSimons is a frequent reader at San Francisco Bay Area venues. Her poems have appeared in print and online in Red Wheelbarrow, Midwest Quarterly, Sand Hill Review, Newport Review, The Centrifugal Eye, Mezzo Cammin, Rock Bottom Review, Astropoetica, pacificREVIEW, and others. She has placed first in poetry at Mendocino Coast Writers Conference and Ina Coolbrith Circle, and second at the Soul-making Keats Sonnet Competion and the Maggi H. Meyer Contest sponsored by Bay Area Poets Coalition. She has been a finalist in the River Styx and Writecorner Press competitions. She has published 12 chapbooks, including The Sharp Edges of Knowing (2015) and Against the Familiar Wall (2014). Casey taught art in San Francisco for many years. Her reviews of Bay Area exhibitions frequently appeared in Artweek, and her studio drawing book, Serious Drawing, was published by Prentice Hall. She has a master’s degree in Fine Arts from San José State University.
our dreams gestate
like mutant bees ...
—Carol Wade Lundberg
I.
I brought down the small
glass Pyrex dish, upended it
over the fuzzy bee nosing
around in coffee grounds
on the counter, the bee
who seemed to take no notice of it
or me. Sliding
a postcard, a thin magazine reply-card,
under it, under him,
I righted the bowl, the bee
clinging to the card upside down.
I shook him
into the bowl, covered it with plastic wrap
as he hummed and nibbled, set it
in the Lucite box.
II.
To use the box I’d needed to
take out the boat
that Judy gave me, the boat
of newspaper and muslin and string
that’s not a model of any boat
but a symbol for a vessel
afloat on some invisible
dream-sea. My house is full
of dust and airborne talc. That’s why
I’d bought the box—to protect the boat.
III.
I thought the bee might work his way
over the lip of the bowl, squeeze
under the plastic wrap and out
and would puzzle
about his presence
in the clear box from
which there was surely
no escape, but a view.
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